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  1. Vancouver – Contemporary Art Gallery

    ... 68 Sabotage Contemporary Art Gallery Kathleen Ritter Contemporary Art ... the idiosyncratic connections between objects and images, language and material, gesture and form; made with the kind of non-linear leaps ...

    Marie-Anne - 04/13/2015 - 14:01

  2. Vancouver – Public Art Program

    ... 71 Inventories Public Art Program-Vancouver Kathleen Ritter ... contemporary art, as well as to the importance of language to an understanding of how a city is read as a text, or re-read in the ...

    Marie-Anne - 04/13/2015 - 10:52

  3. Vancouver – Contemporary Art Gallery

    ... 68 Sabotage Contemporary Art Gallery Kathleen Ritter [Texte en anglais] ... the idiosyncratic connections between objects and images, language and material, gesture and form; made with the kind of non-linear leaps ...

    Marie-Anne - 04/09/2015 - 11:59

  4. Rivers in the Text: Fraser (30.11.12)

    ... national des beaux-arts du Québec, and the Musée d’art contemporain de Montréal, and in private collections such as Bennett Jones ... materials reimagined, her artwork speaks a subterranean language of light, movement, and visceral sensation, always in consideration of ...

    Catherine - 11/26/2013 - 11:36

  5. Rivers in the Text: Fraser (30.11.12)

    ... national des beaux-arts du Québec, and the Musée d’art contemporain de Montréal, and in private collections such as Bennett Jones ... materials reimagined, her artwork speaks a subterranean language of light, movement, and visceral sensation, always in consideration of ...

    Catherine - 11/26/2013 - 11:36

  6. Article | France-Algeria, Go-betweens

    ... the place and questioning of these issues in contemporary art. In this regard, the work done in France and around the world by young ... for handing down, and the necessity to forge ties through language, but also of the barrier language presents: Arab for the artist’s ...

    jeremi - 10/22/2014 - 13:52

  7. Article | France-Algérie, Go-betweens

    ... Kader Attia, Moucharabieh, Musée d'art contemporain de Lyon, France, 2006. Photo: Blaise Adilon, courtesy : ... for handing down, and the necessity to forge ties through language, but also of the barrier language presents: Arab for the artist’s ...

    jeremi - 04/15/2015 - 15:09

  8. Dossier | The Perishable Papers of Pierre Pilonchéry

    ... up a mosaic; the sales pitch unravels and gives way to a new language. The catchy pictures become fragmented to form a new body, an infinite ... is to disturb the clear-cut distinctions we maintain between art and life. In an operation of visual recycling, the impoverished and ...

    jeremi - 10/22/2014 - 16:22

  9. Mathieu Lefevre: His Life, His Art as One Exhibition

    ... Mathieu Lefevre, My Bike Disguised as Contemporary Art, 2011. Photo : Guy L'Heureux ... this part of the One Exhibition you see Mathieu’s love of language, of words, of word games, of playfulness as well as his passion for ...

    Catherine - 06/27/2018 - 11:44

  10. De la matérialité du sens

    ... 2 : of no substantial consequence : UNIMPORTANT Net-art is expanding exponentially. Are these objects? Material or immaterial? ... form will inevitably arise to redefine our relation to language. By expanding the capabilities and potential trajectories of language, ...

    Marie-Hélène - 01/24/2011 - 16:57

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